redpilldoses:

This Lil Wayne vid premiered 3 days before the Aurora Batman shooting.. contains tons of Satanic symbolism (Baphomet, Saturn, Ganesh the elephant god which symbolizes creating order out of chaos). Towards the end of the video they’re in a movie theater with skeletons, in the frame where he’s holding his ears as if he’s hearing gun shots there are 12 skeletons which was the same number of people killed in the shooting.

Shown right before the fatal showing of Dark Knight Rises, this trailer of the movie Gangster Squad ends with a big shooting in a movie theater. In the trailer, gangsters walk through the movie screen and start shooting at the crowd. Strange that the people at the “Batman shooting” actually saw this right before it then happened to them. Fiction indeed turned into reality.

This page from the 1986 comic “Batman: The Dark Knight Returns” features a crazed man killing three people in a movie theater. In the comic, media then states that the shooting spree was inspired by Batman.

This is from Dark Knight Rises. In previous Batman movies that section where “Sandy Hook” is was called “Hinckley” (lone gunman who tried to assassinate Regan was John Hinckley) … but for Dark Knight Rises they changed it to “Sandy Hook”. Map prop designer, Scott Getzinger, died before the movie came out.

Family Guy Predicts Boston Event

This aired March 17, 2012 and has been taken down since.

This is an episode of X Files “the lone gunman” which came out 6 months before 9/11 where a faction within the government hijacks airplanes with remote control from the ground and aims at the world trade center in order to increase arm sales and justify wars

This is a scene from the “Knowing” which came out a year before the BP oil spill and in this is a scene Cage is watching a news report describing exactly what happened a year later in real life..

Also take notice the time when they’re talking about cooling systems malfunctioning (this is what happened in japan) when he looks at the clock and it turns to 12:00 — “Japan” appears and then he looks at the code and it zooms in on 81 which is the country code for Japan 

Cover of New Yorker from March 2012

Financial District, Brighton Beach, 14th Street (and rest of NY) — All ravaged by Hurricane Sandy on October 30.

Yukin Territories — 3.2 Magnitude Earthquake on October 30. 

Nebraska — 3.6 Magnitude Earthquake on October 18

Papa New Guinea — 7.0 Magnitude Earthquake on April 17 and 5.2 Magnitude Earthquake on October 14.

Tenafly — Hurricane Sandy, knocks out power October 29.

Mt. Fuji — Reports of increased pressure in the magma of Mt Fuji Volcano on September 9.

Las Vegas — 3.8 Magnitude Earthquake on September 25.

Lil Wayne single “Love Me” (featuring Drake and Future) appears to be another rap song about easy girls and so forth. The symbolism of the video however adds a more sinister dimension to the song: It directly refers to Monarch Mind Control, specifically Kitten Programming, and even refers to its techniques. We’ll look at the symbolism of Lil Wayne’s “Love Me”.

At first glance, Love Me appears to be yet another song where rappers brag about how many “hos” they got. While some might shake their heads at the unoriginality of the subject matter, others might shake their heads at the way women are portrayed in the video. However, I’ll add another reason to shake your head: Love Me refers to the most terrible practice on earth, Monarch Mind Control (if you don’t know what I’m talking about read this article). In short, Beta Programming (also known as Kitten Programming) is used to create brainwashed sex slaves.

This programming eliminates learned moral convictions and stimulates the primitive instincts devoid of inhibitions. This training Program (usually for women) is for developing the “ultimate prostitute”. This is the most used (by the abusers knowledgeable of the Project Monarch) program.
- Mark Phillips, Operation Monarch

As we’ll see in this article, the video contains ALL of the possible symbolism relating to Kitten Programming and it also emphasizes the slave status of the women in the video. Lil Wayne’s girls are literally locked in cages and depicted as animals. They are also shown in situations that subtly allude to actual MK torture techniques that used to traumatize slaves and cause them to dissociate from reality. Of course, everything is portrayed in a cool and fashionable matter, to make sure young people embrace all of this with even realizing it. Let’s look at the meaning of the video.

Women as MK Slaves, Rappers as Handlers

In the very first seconds of the video, we see a semi-subliminal image that announces what the video is all about.

For about a second, the fire from the lighter takes the shape of a Baphomet head / goat of Mendes. This is a kind of “stamp of approval” of the occult elite and an important symbol used in MK programming.

The song is about how women apparently love Lil Wayne. In the video, they however don’t seem to have much of a choice because they are TRAPPED IN CAGES, inside a very dodgy-looking compound.

Future sings about how “b*tches love him”… but he’s not about to free them from their cages. This contradictory scene somewhat relates to how MK slaves are programmed to identify with and even “love” their handler through confusing mind games.

Locking slaves in cages an actual Monarch Programming  technique to discipline, traumatize and dehumanize the victims.

A painting made by trauma-based mind control survivor Kim Noble (from the article The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas) depicting children locked in cages and observed by a handler.

The many close-up shots of girls during the video all somehow allude to an aspect of Kitten Programming. Here are some of them:

This model has a feline prints on her face (which is used in mass media to refer to Kitten programming). To make sure you get the message, she also has cat eyes and is licking her “paw”. At this point, the video is basically screaming out KITTEN PROGRAMMING.

Licking a blade is maybe sexily dangerous, but also refers to the mix of inhibiting lust and physical abuse involved in Kitten Programming.

This headgear is reminiscent of BDSM stuff but is also a way to represent a slave’s mind being trapped and controlled by a handler.

Kittens are trained to truly embrace their state of servitude. This model appears to be loving her chain very much. A little too much.

This model has a huge butterfly covering one of her eyes, which is probably the most blatant reference to Monarch mind control in the video.

In the video, Lil Wayne somewhat plays the role of the handler, where he’s basically in control of these mesmerized women.

Here, Lil Wayne is in a bedroom that is full of water with women swimming in it. Aside from the fact that this water will probably cause a lot of water damage in that room, it is also a way to show that these slaves are literally “out of their element”. Also, notice the frame on the left with butterflies in it. Yes, this is all about Monarch programming.

One of Lil Wayne’s first rhymes is:

“These hos love me like Satan, man!”

We then see a quick flash of this image:

Lil Wayne as Satan, man.

This line is perplexing for a few reasons. Why do these “hos” love him like Satan? Is he implying that they were loving Satan to begin with? Whether it was intentional or not, this line has profound implications in the realm of Monarch Programming, as slaves are often victims of SRA (Satanic Ritual Abuse), are made to participate in traumatic rituals (where female slaves become “brides of Satan”) and so forth. Sometimes MK handlers tell their slave they are Satan himself while they are abusing them to further trauma.

“Alters within a Monarch slave are conditioned by their servitude to believe that their life is controlled by Satan, who is
stronger than God. Where was God when they needed him?”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

Another one of Wayne’s rhymes is strangely reminiscent to the kind of dialogue a Kitten slave would have with a handler.

She say “I never wanna you make you mad,
I just wanna make you proud”
I say “baby, just make me c*m,
Then don’t make a sound”

Soulless … like a MK handler.

The last part of the video is also somewhat disturbing. It begins with “kittens” entering a white room.

They move like cats. You know, like in Kitten programming.

They then reach a bathtub full of red liquid (blood) and, for no apparent reason, make a big mess.

The girls are all covered in blood, rolling around in it and everything. Is that supposed to be hot or something? Who in their right mind would do that? Nobody. But these women are NOT in their right mind.

Once again, this scene subtly refers to an actual Monarch practice that is used to traumatize slaves and engender dissociation.

“In searching for traumas to apply to little children, the Programmers found that these natural phobias which occur in most people from birth will work “wonderful” to split the mind. Along this line, the following are samples of traumas done to program slaves:
(…)

C. Immersion into feces, urine and containers of blood. Then being made to eat these things. These are standard traumas.”
- Ibid.

While the real life implication of this scene is horrible, everything is nevertheless portrayed in a cool and stylized matter, where the models keep doing sensual faces to the camera (in real life, these faces would be completely distorted with pain).

In Conclusion

Like many other pop songs, Lil Wayne’s Love Me has a simple surface meaning–him not caring about haters as long as his “hos” love him–but the music video adds a very sinister underlying meaning. Regular readers of this site understand that there’s an undeniable pattern of reoccurring symbolism in popular culture and Love Me definitely adds to it. Indeed, in this video, ALL of the symbolism that is associated with Kitten Programming (one eye, butterflies, animal prints, etc.) is represented in the video, along with various references to real life Monarch Programming practices. While each individual element could have been present in the video to symbolize something else than MK-Ultra, tell me … what are the odds that ALL of these symbols being “randomly” inserted in one, four-minute video? As is the case for other videos reviewed on this site, it is not about pointing out single instances of random symbols, but understanding each piece as a whole and the hidden realities it refers to. One these hidden realities is Monarch programming, one of the occult elite’s favorite practices, one that can be traced back to what Springmeier calls “generational satanic families”.

While rap has always had a healthy dose of macho bravado, Love Me is a deformation of this “tradition”, as it adds a sick, perverted twist to it, including allusions to violence, abuse and even torture. As years go by, this “pushing of the envelope” becomes more apparent as the original culture around hip-hop is slowly but surely becoming “Illuminati-friendly”. Like many other movements in society, hip-hop has been co-opted by the elite to be used as a tool to indoctrinate young people. Are there still real rappers out there? Yes, tons of them. But you’ll probably never seen them on the Grammys.

Sandy Hook Survivors Are Made to Sing “Over the Rainbow” to Commemorate the Shooting

Some of the children who survived the Sandy Hook school shooting recorded a version of Judy Garland’s song Over the Rainbow, one month after the massacre. In one big media event, these young children were brought to a recording studio and made to record the song, all under the never-ceasing clicks and flashes of cameras. They then went on to perform the song on Good Morning America. The song is now on sale iTunes and Amazon.

While news sources describe this event as a “emotional healing process”, there are quite a few strange facts about this “event”. The most obvious one is: Why are these children being exposed to the public in such a way? Why are they pushed in mass media spotlight? Why are they in a recording studio with music industry people looking for publicity and made to sing a song that almost “embraces” what happened? Why isn’t this “healing process” happening in private, with friends and family? Why are iTunes and Amazon involved (yes, the song will be sold on these services for “charity” – the new word to justify exploitation)?

This is however not the most troubling part of this story. Considering the context surrounding the massacre and the possibility that the perpetrator was under mind control (as I described inThought of the Month (01/13): Mass Shootings and Mass Media), the song choice Over the Rainbow is quite telling and, sadly, quite appropriate. As I stated in several other articles, the movie The Wizard of Oz and the song Over the Rainbow are major tools used by Mind Control handlers to program their slaves (if you have no idea what I’m talking about , please read the article entitled Origins and Techniques of Monarch Mind Control). Through violence and trauma, slaves are encouraged to dissociate from reality and are told to go “Over the Rainbow”.

“Dorothy is looking for a place where there is no trouble which is a place “over the rainbow.” To escape pain, alters go over the rainbow.

Over the rainbow in Oz is for the Monarch slave to be in a trance, and into a certain area of the programming. To be fluctuating at both ends as an observer and not a participant or to go to the other extreme and become a participant. The theme song of the movie goes, “Somewhere over the Rainbow…there’s a land where the dreams that you dare to dream really come true.” These lyrics are a method to hypnotically confuse the brain to perceive that the “over the Rainbow experience” (which is usually horrible abuse) is a “dream”. The dissociative mind is only too happy to call the trauma a dream, which is lived as a reality for a moment, but is nevertheless recorded by the mind as a fantasy. The term for this is cryptoamnesia, which means the process where the proper functioning of memory is hypnotically messed up. The slave’s internal world becomes “reality” and the external real world becomes the Land of Oz which is perceived as make-believe.”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Controlled Slave

So, in short, to “commemorate” a shooting that was carried out by a MK patsy, survivors of the shooting are made to sing (because this wasn’t of their own initiative neither was it their song choice) a song that is used to program MK slaves. All of this in one big staged media event, where the children are asked to smile and pose for the cameras. How about not exploiting these kids for BS charity and not making them further part of this horrifying ritual that was the Sandy Hook shooting?

Here’s an article about the event.

A song for Sandy Hook: Watch the children who survived school massacre’s heart-breaking recording of Over The Rainbow in memory of their lost friends and teachers

• The children, aged six to nine, recorded the Judy Garland classic on January 14
• Song released on iTunes and Amazon today with proceeds going to United Way and Newtown Youth Academy

This is the heartbreaking video of the survivors of the Sandy Hook shooting as they sing Over The Rainbow in memory of the friends and teachers they lost.

The 21 elementary school children, aged between six and nine, gathered together to sing the Judy Garland classic for charity and mark the one-month anniversary on Monday.

Some of the children had been inside the school in Newtown, Connecticut when a gunman opened fire, killing 20 children and six teaching staff on December 14.
The students appeared with singer-songwriter Ingrid Michaelson on Good Morning America today. They recorded the song at the home of two former band members of Talking Heads. The track went on sale today on Amazon and iTunes, with proceeds benefiting a local United Way and the Newtown Youth Academy. Kayla Verga, ten, says she sang for her friend, Jessica Rekos, who was killed at Sandy Hook. She says it feels like Jessica is beside her, singing along with her.

The song was recorded at the home of musicians Tina Weymouth and Chris Frantz, who performed with bands Talking Heads and Tom Tom Club. The Song for Sandy Hook was recorded at the couple’s home studio in Fairfield, Connecticut while parents looked on. The little girls wore green ribbons in their hair and pinned to their sweaters to remember their friends and teachers.

Mr Frantz told the Daily News: ‘It was emotional, absolutely. But the kids were resilient. They loved to sing and they were good at it.’

Moving tribute: The children, aged six to nine, appeared with singer Ingrid Michaelson on GMA this morning